In celebration of the publication of Ruth Beaumont Cook’s new history of Sylacauga marble, Magic in Stone: The Sylacauga Marble Story, the B. B. Comer Memorial Library pulled out all the stops for a very special launch event that brought in some impressive company, 
including library patrons and friends, the mayor of the city of Sylacauga, Jim Heigl, and special guests Craigger Browne, Marcello Giorgi, and Frank Murphy. The event was organized by Ted Spears of the Sylacauga Marble Festival and Shirley Spears and Tracey Thomas of the library. The hundred-plus attendees enjoyed a wonderful reception, followed by a presentation by Cook based on her book, which represents years of research on the internationally famous Sylacauga marble quarry, the first history on the subject ever. Truly this was an event worthy of the story Ruth Beaumont Cook has to tell!
Praise for Magic in Stone has come from many quarters already. See what historians Dr. Leah Atkins and Aileen Kilgore Henderson have to say about the book:
Magic in Stone is a story on a grand scale befitting its subject: marble, which formed with the first seashells that compacted underneath the continental shelf and resulted millions of years later in magnificent works of beauty by giants of talent and fame. The gifted Moretti, the loyal women in his life, and the emergence of an Alabama marble industry and quarry town. This history and much more is told by Ruth Cook in a memorable and richly detailed book. — Aileen Kilgore Henderson, author of Eugene Allen Smith’s Alabama: How a Geologist Shaped a State
From Ruth Cook comes an enjoyable and important work of history about Sylacauga marble — the artists who worked with it, the village that grew up around it, the industry that developed out of it. This excellent book tells the story comprehensively for the first time. It is rich in detail and full of surprising, delightful tidbits about a resource few of us in the state know much about. What a treasure for us as Alabama historians, as Alabama citizens! — Leah Rawls Atkins, Director Emerita, Caroline Marshall Draughon Center for the Arts & Humanities, Auburn University